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iPhone · Apple Log 2

Glass Clean.

iPhone 17 Pro and 18 Pro (Apple Log 2)

Glass Clean: a frame graded with it

A free Clean LUT for iPhone 17 Pro and 18 Pro in Apple Log 2: a clean conversion to a normal picture, a base for your own grade. The same Clean as in Glass LUT. Leave your email and the download opens right away.

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01 / How it looks

Shot on iPhone.

An interview shot on iPhone in Apple Log: Rec.709 on the left, the same frame with the LUT on the right. Drag the line to compare.

Glass Clean: the same frame in log and with the look — LUT
Glass Clean: the same frame in log and with the look — REC 709
↔
REC 709LUT

What’s in the archive

  • iPhone 17 Pro · 18 Pro (Apple Log 2)33 and 65

Shoot in Apple Log 2 on iPhone 17 Pro or 18 Pro: the LUT is not made for the first Apple Log or regular video.

Get the free Glass Clean.

Enter your email: I’ll send the link to your inbox and the download opens right here.

By submitting you agree to the privacy policy.

02 / Contents

What is in the archive.

  1. 01The Clean look: a clean conversion from Apple Log 2
  2. 02For iPhone 17 Pro and 18 Pro, shot in Apple Log 2
  3. 0333 and 65 point files
  4. 04CapCut, VN, LumaFusion, Blackmagic Camera, DaVinci, Final Cut

Which cameras

  • iPhone 17 Pro · 18 ProApple Log 2

03 / Install

How to install.

Five minutes once, then every look is one click away.

A road frame after grading
Installing in DaVinci Resolve
  1. 01Put the LUT in placeIn DaVinci: Project Settings → Color Management → Open LUT Folder. Copy the .cube files you need there, then hit Update Lists. In Premiere, Final Cut and CapCut you load the LUT through the colour effect.
  2. 02Apply and fine-tuneDrop the look on a clip and fix exposure and white balance before it. The LUT sets the direction, you make the final call.

04 / FAQ

Questions.

Which LUT fits my camera?

For log cameras the folder in the archive is named after the camera; in Island + Glass + Pocket they sit inside LUT - Cameras. Find yours in the table and take the files from there. Shoot on DJI Osmo, you want the Action line; on iPhone, the Glass line; on DJI Pocket 4 or Insta360 Luna, the Pocket line.

CameraLogFolder in the pack
Panasonic LumixV-LogPanasonic Lumix (V-Log)
SonyS-Log3 / S-Gamut3.CineSony (S-Log3)
CanonC-Log3Canon (C-Log3)
FujifilmF-Log2Fujifilm (F-Log2)
NikonN-LogNikon (N-Log)
DJI Osmo Action 4 · 6 · 360 · Pocket 3D-Log MAction line
iPhone 17 Pro · 18 ProApple Log 2Glass line
DJI Pocket 4 · 4PD-LogDJI Pocket 4 (D-Log)
Insta360 LunaI-LogInsta360 Luna (I-Log)
D-Log vs D-Log M: what’s the difference?

They’re different profiles. The Action line is for D-Log M, which the Osmo Action 4 and 6, Osmo 360 and Osmo Pocket 3 shoot. D-Log is what the DJI Pocket 4 and 4P shoot, and that’s the Pocket line. Mix them up and the colour will be off.

33 or 65: which one?

33 points is for phones and tablets (CapCut, VN, LumaFusion), plus monitors and cameras that can load a LUT. 65 is for editing on a computer in DaVinci, Premiere and Final Cut: it’s more precise on sky and skin gradients.

Which apps does it work in?

The .cube LUTs open in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, VN and LumaFusion. PowerGrades work only in DaVinci Resolve, including the free version.

I don’t shoot log. Will it work?

No. The LUTs are built for log footage: on a regular image they crush contrast and push the colour. Switch your camera to a log profile, and if you’re not sure how, message me.

Can I use them in commercial work?

Yes, in personal and commercial projects. You can’t resell, share or post the files themselves.

05 / Next

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