iPhone · Apple Log 2
Glass LUT.
iPhone 17 Pro and 18 Pro, shot in Apple Log 2. The first Apple Log (iPhone 15 Pro, 16 Pro) isn’t supported
Five looks for Apple Log 2: four in 65 and 33 points, plus Dusk Print in 33. Plus an install guide.
$10
01 / How it looks
Five looks for Apple Log 2.
An iPhone frame in Apple Log: an interview with a LUT. Rec.709 on the left, color on the right. Everything in the pack is listed next to it.
Looks in the pack
- CleanFREELUT 65 · LUT 33A clean conversion from log to a normal image. A base for your own grade. I give this one away for free.
- Island PrintFlagshipLUT 65 · LUT 33A film print look: warm skin, dense shadows, soft highlights.
- VividLUT 65 · LUT 33Rich colour that doesn’t overdo it. For bright sun and travel.
- FilmLUT 65 · LUT 33Soft, low-contrast film.
- Dusk PrintLUT 33A print look for dusk and evening light.
Every look in 65 points for editing on a computer and 33 for the phone, Dusk Print in 33 only. They work in CapCut, VN, LumaFusion, Blackmagic Camera, DaVinci and Final Cut.
02 / Contents
What is in the archive.
- 0165 and 33 points: Clean · Island Print · Vivid · Film
- 0233 points: Dusk Print
- 03CapCut, VN, LumaFusion, Blackmagic Camera, DaVinci, Final Cut
Which cameras
- iPhone 17 Pro · 18 ProApple Log 2
03 / Install
How to install.
Five minutes once, then every look is one click away.
- 01Put the LUT in placeIn DaVinci: Project Settings → Color Management → Open LUT Folder. Copy the .cube files you need there, then hit Update Lists. In Premiere, Final Cut and CapCut you load the LUT through the colour effect.
- 02Apply and fine-tuneDrop the look on a clip and fix exposure and white balance before it. The LUT sets the direction, you make the final call.
04 / FAQ
Questions.
Which LUT fits my camera?
For log cameras the folder in the archive is named after the camera; in Island + Glass + Pocket they sit inside LUT - Cameras. Find yours in the table and take the files from there. Shoot on DJI Osmo, you want the Action line; on iPhone, the Glass line; on DJI Pocket 4 or Insta360 Luna, the Pocket line.
| Camera | Log | Folder in the pack |
|---|---|---|
| Panasonic Lumix | V-Log | Panasonic Lumix (V-Log) |
| Sony | S-Log3 / S-Gamut3.Cine | Sony (S-Log3) |
| Canon | C-Log3 | Canon (C-Log3) |
| Fujifilm | F-Log2 | Fujifilm (F-Log2) |
| Nikon | N-Log | Nikon (N-Log) |
| DJI Osmo Action 4 · 6 · 360 · Pocket 3 | D-Log M | Action line |
| iPhone 17 Pro · 18 Pro | Apple Log 2 | Glass line |
| DJI Pocket 4 · 4P | D-Log | DJI Pocket 4 (D-Log) |
| Insta360 Luna | I-Log | Insta360 Luna (I-Log) |
D-Log vs D-Log M: what’s the difference?
They’re different profiles. The Action line is for D-Log M, which the Osmo Action 4 and 6, Osmo 360 and Osmo Pocket 3 shoot. D-Log is what the DJI Pocket 4 and 4P shoot, and that’s the Pocket line. Mix them up and the colour will be off.
33 or 65: which one?
33 points is for phones and tablets (CapCut, VN, LumaFusion), plus monitors and cameras that can load a LUT. 65 is for editing on a computer in DaVinci, Premiere and Final Cut: it’s more precise on sky and skin gradients.
Which apps does it work in?
The .cube LUTs open in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, VN and LumaFusion. PowerGrades work only in DaVinci Resolve, including the free version.
I don’t shoot log. Will it work?
No. The LUTs are built for log footage: on a regular image they crush contrast and push the colour. Switch your camera to a log profile, and if you’re not sure how, message me.
Can I use them in commercial work?
Yes, in personal and commercial projects. You can’t resell, share or post the files themselves.
05 / Next
