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Pocket · D-Log · I-Log

Pocket LUT.

DJI Pocket 4 · 4P (D-Log) · Insta360 Luna (I-Log)

Pocket LUT: a frame graded with it

Four looks for pocket cameras: DJI Pocket 4 and 4P in D-Log, Insta360 Luna in I-Log. A separate set for each camera.

$10

01 / How it looks

Four looks for Pocket 4 and Luna.

Clean, Island Print, Vivid and Film for each camera.

Pocket LUT: the same frame in log and with the look — Island Print — Island Print
Pocket LUT: the same frame in log and with the look — Island Print — I-LOG
↔
I-LOGIsland Print

Looks in the pack

  • CleanFREELUT 65 · LUT 33A clean conversion from log to a normal image. A base for your own grade. I give this one away for free.
  • Island PrintFlagshipLUT 65 · LUT 33A film print look: warm skin, dense shadows, soft highlights.
  • VividLUT 65 · LUT 33Rich colour that doesn’t overdo it. For bright sun and travel.
  • FilmLUT 65 · LUT 33Soft, low-contrast film.

Every look in 65 points for editing on a computer and 33 for the phone. They work in CapCut, VN, LumaFusion, DaVinci, Premiere and Final Cut.

Which cameras

  • DJI Pocket 4 · 4PD-Log
  • Insta360 LunaI-Log

The looks are built separately for each camera and its log. Osmo Pocket 3 shoots D-Log M, the Ride line is made for it.

02 / Contents

What is in the archive.

  1. 014 looks: Clean · Island Print · Vivid · Film
  2. 02Separate files for DJI Pocket 4 / 4P and for Insta360 Luna
  3. 03Every look in 65 and 33 points
  4. 04DaVinci, Premiere, Final Cut, CapCut, VN, LumaFusion

Which cameras

  • DJI Pocket 4 · 4PD-Log
  • Insta360 LunaI-Log

Osmo Pocket 3 shoots D-Log M; it has a separate Ride PowerGrade. See it

03 / Install

How to install.

Five minutes once, then every look is one click away.

A road frame after grading
Installing in DaVinci Resolve
  1. 01Put the LUT in placeIn DaVinci: Project Settings → Color Management → Open LUT Folder. Copy the .cube files you need there, then hit Update Lists. In Premiere, Final Cut and CapCut you load the LUT through the colour effect.
  2. 02Apply and fine-tuneDrop the look on a clip and fix exposure and white balance before it. The LUT sets the direction, you make the final call.

04 / FAQ

Questions.

Which LUT fits my camera?

For log cameras the folder in the archive is named after the camera; in Island + Glass + Pocket they sit inside LUT - Cameras. Find yours in the table and take the files from there. Shoot on DJI Osmo, you want the Action line; on iPhone, the Glass line; on DJI Pocket 4 or Insta360 Luna, the Pocket line.

CameraLogFolder in the pack
Panasonic LumixV-LogPanasonic Lumix (V-Log)
SonyS-Log3 / S-Gamut3.CineSony (S-Log3)
CanonC-Log3Canon (C-Log3)
FujifilmF-Log2Fujifilm (F-Log2)
NikonN-LogNikon (N-Log)
DJI Osmo Action 4 · 6 · 360 · Pocket 3D-Log MAction line
iPhone 17 Pro · 18 ProApple Log 2Glass line
DJI Pocket 4 · 4PD-LogDJI Pocket 4 (D-Log)
Insta360 LunaI-LogInsta360 Luna (I-Log)
D-Log vs D-Log M: what’s the difference?

They’re different profiles. The Action line is for D-Log M, which the Osmo Action 4 and 6, Osmo 360 and Osmo Pocket 3 shoot. D-Log is what the DJI Pocket 4 and 4P shoot, and that’s the Pocket line. Mix them up and the colour will be off.

33 or 65: which one?

33 points is for phones and tablets (CapCut, VN, LumaFusion), plus monitors and cameras that can load a LUT. 65 is for editing on a computer in DaVinci, Premiere and Final Cut: it’s more precise on sky and skin gradients.

Which apps does it work in?

The .cube LUTs open in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, VN and LumaFusion. PowerGrades work only in DaVinci Resolve, including the free version.

I don’t shoot log. Will it work?

No. The LUTs are built for log footage: on a regular image they crush contrast and push the colour. Switch your camera to a log profile, and if you’re not sure how, message me.

Can I use them in commercial work?

Yes, in personal and commercial projects. You can’t resell, share or post the files themselves.

05 / Next

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