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REC 709Island PrintIsland Print
FlagshipA film print look: warm skin, dense shadows, soft highlights.
- LUT 33
- LUT 65
Cinema · Log
Island LUT.
Panasonic Lumix (V-Log) · Sony (S-Log3) · Canon (C-Log3) · Fujifilm (F-Log2) · Nikon (N-Log)
Four looks for five log cameras. Island Print is my flagship, start with that one.
$10
01 / How it looks
Four looks.
Log on the left, the same frame with the look on the right. Drag the line to compare.
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REC 709VividVivid
Rich colour that doesn’t overdo it. For bright sun and travel.
- LUT 33
- LUT 65
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LOGFilmFilm
Soft, low-contrast film.
- LUT 33
- LUT 65
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LOGCleanClean
FREEA clean conversion from log to a normal image. A base for your own grade. I give this one away for free.
- LUT 33
- LUT 65
02 / Contents
What is in the archive.
- 014 looks: Island Print · Vivid · Film · Clean
- 02A separate folder for each of the 5 cameras
- 03Every look in 65 and 33 points
- 04DaVinci, Premiere, Final Cut, CapCut, VN, LumaFusion
Which cameras
- Panasonic LumixFolder in the archive: Panasonic Lumix (V-Log)V-Log
- SonyFolder in the archive: Sony (S-Log3)S-Log3 / S-Gamut3.Cine
- CanonFolder in the archive: Canon (C-Log3)C-Log3
- FujifilmFolder in the archive: Fujifilm (F-Log2)F-Log2
- NikonFolder in the archive: Nikon (N-Log)N-Log
For DJI Osmo with D-Log M there is a separate Ride PowerGrade. See it
03 / Install
How to install.
Five minutes once, then every look is one click away.
- 01Put the LUT in placeIn DaVinci: Project Settings → Color Management → Open LUT Folder. Copy the .cube files you need there, then hit Update Lists. In Premiere, Final Cut and CapCut you load the LUT through the colour effect.
- 02Apply and fine-tuneDrop the look on a clip and fix exposure and white balance before it. The LUT sets the direction, you make the final call.
04 / FAQ
Questions.
Which LUT fits my camera?
For log cameras the folder in the archive is named after the camera; in Island + Glass + Pocket they sit inside LUT - Cameras. Find yours in the table and take the files from there. Shoot on DJI Osmo, you want the Action line; on iPhone, the Glass line; on DJI Pocket 4 or Insta360 Luna, the Pocket line.
| Camera | Log | Folder in the pack |
|---|---|---|
| Panasonic Lumix | V-Log | Panasonic Lumix (V-Log) |
| Sony | S-Log3 / S-Gamut3.Cine | Sony (S-Log3) |
| Canon | C-Log3 | Canon (C-Log3) |
| Fujifilm | F-Log2 | Fujifilm (F-Log2) |
| Nikon | N-Log | Nikon (N-Log) |
| DJI Osmo Action 4 · 6 · 360 · Pocket 3 | D-Log M | Action line |
| iPhone 17 Pro · 18 Pro | Apple Log 2 | Glass line |
| DJI Pocket 4 · 4P | D-Log | DJI Pocket 4 (D-Log) |
| Insta360 Luna | I-Log | Insta360 Luna (I-Log) |
D-Log vs D-Log M: what’s the difference?
They’re different profiles. The Action line is for D-Log M, which the Osmo Action 4 and 6, Osmo 360 and Osmo Pocket 3 shoot. D-Log is what the DJI Pocket 4 and 4P shoot, and that’s the Pocket line. Mix them up and the colour will be off.
33 or 65: which one?
33 points is for phones and tablets (CapCut, VN, LumaFusion), plus monitors and cameras that can load a LUT. 65 is for editing on a computer in DaVinci, Premiere and Final Cut: it’s more precise on sky and skin gradients.
Which apps does it work in?
The .cube LUTs open in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, VN and LumaFusion. PowerGrades work only in DaVinci Resolve, including the free version.
I don’t shoot log. Will it work?
No. The LUTs are built for log footage: on a regular image they crush contrast and push the colour. Switch your camera to a log profile, and if you’re not sure how, message me.
Can I use them in commercial work?
Yes, in personal and commercial projects. You can’t resell, share or post the files themselves.
05 / Next
