Cinema · Log
Island Clean.
Lumix · Sony · Canon · Fujifilm · Nikon
A free Clean LUT for log cameras: a clean conversion from log to a normal picture, a base for your own grade. The same Clean as in Island LUT. Leave your email and the download opens right away.
Free
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01 / How it looks
Before and after.
A cape shot in log: the camera log on the left, the same frame with Clean on the right. Drag the line.
What’s in the archive
- Lumix · Sony · Canon33 and 65
- Fujifilm · Nikon33 and 65
Folder = your camera. The _33 file is for phones and CapCut, _65 is for desktop editing.
02 / Contents
What is in the archive.
- 01The Clean look: a clean conversion from log, a base for your own grade
- 02A folder for each of 5 log cameras
- 0333 and 65 point files
- 04DaVinci, Premiere, Final Cut, CapCut, VN, LumaFusion
Which cameras
- Panasonic LumixFolder in the archive: Panasonic Lumix (V-Log)V-Log
- SonyFolder in the archive: Sony (S-Log3)S-Log3 / S-Gamut3.Cine
- CanonFolder in the archive: Canon (C-Log3)C-Log3
- FujifilmFolder in the archive: Fujifilm (F-Log2)F-Log2
- NikonFolder in the archive: Nikon (N-Log)N-Log
DJI Osmo with D-Log M has its own free Ride LUT. Get it
03 / Install
How to install.
Five minutes once, then every look is one click away.
- 01Put the LUT in placeIn DaVinci: Project Settings → Color Management → Open LUT Folder. Copy the .cube files you need there, then hit Update Lists. In Premiere, Final Cut and CapCut you load the LUT through the colour effect.
- 02Apply and fine-tuneDrop the look on a clip and fix exposure and white balance before it. The LUT sets the direction, you make the final call.
04 / FAQ
Questions.
Which LUT fits my camera?
For log cameras the folder in the archive is named after the camera; in Island + Glass + Pocket they sit inside LUT - Cameras. Find yours in the table and take the files from there. Shoot on DJI Osmo, you want the Action line; on iPhone, the Glass line; on DJI Pocket 4 or Insta360 Luna, the Pocket line.
| Camera | Log | Folder in the pack |
|---|---|---|
| Panasonic Lumix | V-Log | Panasonic Lumix (V-Log) |
| Sony | S-Log3 / S-Gamut3.Cine | Sony (S-Log3) |
| Canon | C-Log3 | Canon (C-Log3) |
| Fujifilm | F-Log2 | Fujifilm (F-Log2) |
| Nikon | N-Log | Nikon (N-Log) |
| DJI Osmo Action 4 · 6 · 360 · Pocket 3 | D-Log M | Action line |
| iPhone 17 Pro · 18 Pro | Apple Log 2 | Glass line |
| DJI Pocket 4 · 4P | D-Log | DJI Pocket 4 (D-Log) |
| Insta360 Luna | I-Log | Insta360 Luna (I-Log) |
D-Log vs D-Log M: what’s the difference?
They’re different profiles. The Action line is for D-Log M, which the Osmo Action 4 and 6, Osmo 360 and Osmo Pocket 3 shoot. D-Log is what the DJI Pocket 4 and 4P shoot, and that’s the Pocket line. Mix them up and the colour will be off.
33 or 65: which one?
33 points is for phones and tablets (CapCut, VN, LumaFusion), plus monitors and cameras that can load a LUT. 65 is for editing on a computer in DaVinci, Premiere and Final Cut: it’s more precise on sky and skin gradients.
Which apps does it work in?
The .cube LUTs open in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, VN and LumaFusion. PowerGrades work only in DaVinci Resolve, including the free version.
I don’t shoot log. Will it work?
No. The LUTs are built for log footage: on a regular image they crush contrast and push the colour. Switch your camera to a log profile, and if you’re not sure how, message me.
Can I use them in commercial work?
Yes, in personal and commercial projects. You can’t resell, share or post the files themselves.
05 / Next
