Cinema · DaVinci
Island PowerGrade.
Lumix · Sony · Canon · Fujifilm · Nikon
Four DaVinci grades for log cameras. The CST node is set to Lumix V-Log by default: switch it to your camera and the grade is ready.
$15
01 / How it looks
How a frame develops.
Camera log, conversion to Rec.709, then the grade. Switch between four grades and compare with the log.
LOG02 / Contents
What is in the archive.
- 014 PowerGrades: 01 Vibrant · 02 All Rounder · 03 Bright Day · 04 Flat White
- 02The Chrome LUT they are built on
- 03Install guide
- 04DaVinci Resolve only, the free version works too
Which cameras
- Panasonic LumixV-Log
- SonyS-Log3 / S-Gamut3.Cine
- CanonC-Log3
- FujifilmF-Log2
- NikonN-Log
For DJI Osmo with D-Log M there is a separate Ride PowerGrade. See it
03 / Install
How to install.
Five minutes once, then every look is one click away.
- 01Put the LUT in placeIn DaVinci: Project Settings → Color Management → Open LUT Folder. Copy the folder from the archive there as is and don't rename it: the PowerGrades look for their LUT under SHOOT.KIN. Then hit Update Lists. In Premiere, Final Cut and CapCut you load the LUT through the colour effect.
- 02Import the PowerGradesColor page → Gallery → PowerGrade album → right-click → Import. Select only the .drx files, the .dpx previews come along on their own.
- 03Apply and fine-tuneDrop the look on a clip and fix exposure and white balance before it. The LUT sets the direction, you make the final call.
04 / FAQ
Questions.
Which LUT fits my camera?
For log cameras the folder in the archive is named after the camera; in Island + Glass + Pocket they sit inside LUT - Cameras. Find yours in the table and take the files from there. Shoot on DJI Osmo, you want the Action line; on iPhone, the Glass line; on DJI Pocket 4 or Insta360 Luna, the Pocket line.
| Camera | Log | Folder in the pack |
|---|---|---|
| Panasonic Lumix | V-Log | Panasonic Lumix (V-Log) |
| Sony | S-Log3 / S-Gamut3.Cine | Sony (S-Log3) |
| Canon | C-Log3 | Canon (C-Log3) |
| Fujifilm | F-Log2 | Fujifilm (F-Log2) |
| Nikon | N-Log | Nikon (N-Log) |
| DJI Osmo Action 4 · 6 · 360 · Pocket 3 | D-Log M | Action line |
| iPhone 17 Pro · 18 Pro | Apple Log 2 | Glass line |
| DJI Pocket 4 · 4P | D-Log | DJI Pocket 4 (D-Log) |
| Insta360 Luna | I-Log | Insta360 Luna (I-Log) |
D-Log vs D-Log M: what’s the difference?
They’re different profiles. The Action line is for D-Log M, which the Osmo Action 4 and 6, Osmo 360 and Osmo Pocket 3 shoot. D-Log is what the DJI Pocket 4 and 4P shoot, and that’s the Pocket line. Mix them up and the colour will be off.
33 or 65: which one?
33 points is for phones and tablets (CapCut, VN, LumaFusion), plus monitors and cameras that can load a LUT. 65 is for editing on a computer in DaVinci, Premiere and Final Cut: it’s more precise on sky and skin gradients.
Which apps does it work in?
The .cube LUTs open in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, VN and LumaFusion. PowerGrades work only in DaVinci Resolve, including the free version.
I don’t shoot log. Will it work?
No. The LUTs are built for log footage: on a regular image they crush contrast and push the colour. Switch your camera to a log profile, and if you’re not sure how, message me.
Can I use them in commercial work?
Yes, in personal and commercial projects. You can’t resell, share or post the files themselves.
05 / Next
